
3 Days to Kill movie rating: red light
If it’s meant to be a spy thriller, it’s not exciting. If it’s meant to be a comedy, it’s not funny. If it’s meant to be dumb, absurd, and risible, it’s a success.

If it’s meant to be a spy thriller, it’s not exciting. If it’s meant to be a comedy, it’s not funny. If it’s meant to be dumb, absurd, and risible, it’s a success.

With rom-coms like this, who needs warcrimes? This is the most cruel, most contrived romantic comedy I have ever had the displeasure to endure.

With its time-twisting plot, sci-fi soapiness, powerful humanism, and to-die-for cast, this is the summer blockbuster done with elegance and heart.

If O. Henry and Edgar Allan Poe collaborated on a love story, it might look something like this juicy bit of ironic gothic romance.

A marvelous little unpacking of the meaning of happiness, precisely what constitutes it, and how to know whether you’ve found it.

A remarkably grounded French-Iranian drama about a broken family trying to mend; unexpectedly riveting, thanks in part to one of 2013’s best ensembles.

As jaunty as Jean Dujardin’s beret, but in a sincere, old-fashioned kind of way. It could almost have been rediscovered from the 1940s…

It’s nice to go back to places you’ve already been — the touristy pressure is off a little. But it’s nice to visit new places, too.

Ah, Jeff Goldblum! Ah, Jim Broadbent and Lindsay Duncan!

This is what comic-book movies look like when they’re not blown up into $200 million monstrosities: friendly and eldritch and kinda cosy even in the middle of outrageous escapades. (new DVD US)