
Cinderella (2021) movie review: from the ashes…
Fairy tale goes jukebox musical with a feminist, gender-fluid spin. Throws irony and sarcasm at heterosexuality, patriarchy, even monarchy. Pretty darn fun, with a sweetly spunky Ella in Cabello.
film criticism by maryann johanson | since 1997
Fairy tale goes jukebox musical with a feminist, gender-fluid spin. Throws irony and sarcasm at heterosexuality, patriarchy, even monarchy. Pretty darn fun, with a sweetly spunky Ella in Cabello.
It’s oddly structured, doesn’t seem to know whom its audience is, and indulges in too much distracting grossout humor. But the sex-positive message and the delightful cast make it just about worthwhile.
The slim charms of the previous movies have been tossed away in favor of cringe-inducing cattiness and a ridiculous plot. There’s barely even any music. Aca-palling.
Smart, sweet, gently funny, with a wonderfully exuberant voice performance by Matthew McConaughey that hints at fresh new realms animated movies can reach.
Plays with hierarchies and rivalries of women’s lives that often aren’t seen onscreen, and embraces women as powerful. But it’s just not very funny about it.
Some sweet sisterhood and truly fantastic musical performances get dragged down by awkward, lazy, embarrassing attempts at humor.
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What’s charming and fun here gets a little overwhelmed by too much grossout stuff.
You can tell this movie is “for women” because the trailer opens with a joke that minimizes rape…