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Sheesh, you could do a solid two solid months of film-festivaling, traveling from Venice to Toronto to New York to London for these carnivals of cinemania, an odyssey that sounds to me as wonderful as it does exhausting.
Will we soon see a primetime English-language telenovela on ABC, NBC, CBS, or Fox?
Catfish and I’m Still Here haven’t even opened yet, and already the filmmakers are having to defend their authenticity.
I wonder whether the big draw of *The American* was George Clooney. Are there more folks out there who, like me, would watch Clooney in absolutely anything?
I wonder if this terrible summer has been a blip or if, perhaps, it’s a state of affairs we should expect to continue for the next several years..
An excellent question that I’m stealing from *The Atlantic*’s Daily Dish…
Even the moderate financial hits have been, for the most part, ugly, boring, and creatively tapped out, even grading on the summer-blockbuster curve.
Yesterday afternoon, James Lee picked up a gun, strapped some pipe bombs to his body, and took hostages at the Washington DC-area headquarters of the Discovery Channel…
Perhaps the best time to talk about a marketing campaign for a film is before everyone has seen it: this way, the discussion of the film itself cannot get in the way.
The Academy has been unable to get in touch with Jean-Luc Godard to let him know about his win…
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