
Dune: Part Two movie review: shifting sands
Ugly, outrageous, brutal, and cynical; a genuinely terrifying film about power and politics as religion and control. There is little escapism here; hits square in the social plexus of horrifying 2024.

Ugly, outrageous, brutal, and cynical; a genuinely terrifying film about power and politics as religion and control. There is little escapism here; hits square in the social plexus of horrifying 2024.

2019’s Doctor Sleep is on Hulu in the US, Prime in the UK (and many other services, too).

Monumental. Villeneuve tells a familiar story with uncommon elegance and pensiveness, even dreaminess, on a breathtaking scale. A stunningly gorgeous, supremely dignified movie about ugly things.

A cautionary tale about getting mired in the past is itself hamstrung by what has come before: overplayed noir tropes and underbaked sci-fi ideas. The fab cast at least elevates this to the mediocre.

A wonderfully unexpected sort of horror movie, beautiful and delicate, but unsettling, too, with an authentic plausibility to the dichotomy between the invented uncanny and the human response to it.

Tonia Mishiali writes (with Anna Fotiadou) and directs Greek drama Pause, starring Stella Fyrogeni; more… [This post is for Patreon patrons only for the first month.]

Tessa Thompson costars in sci-fi action comedy Men in Black: International; and there’s very little else… [This post is for Patreon patrons only for the first month.]
Our most honored films are Roma (five awards), The Favourite (four awards), and Can You Ever Forgive Me? (three awards).

Masterful. I had so much fun with this, often laughing out loud in relief when the tension of a breathless action scene finally broke. So why am I feeling a bit meh about it?

A clichéd loose-cannon cop is on a case of murdered women in faux Norway. And it’s not even a decent procedural. Sexist, pointless, thoroughly awful.