
The Batman movie review: to bat, or not to bat
No snark, no spandex pantomime spectacle. Just noir mystery, Pattinson’s sad recluse a detective in a cesspit of corruption. Relentlessly grim, all darkness and despair, not escapist but of our time.
film criticism by maryann johanson | handcrafted since 1997
No snark, no spandex pantomime spectacle. Just noir mystery, Pattinson’s sad recluse a detective in a cesspit of corruption. Relentlessly grim, all darkness and despair, not escapist but of our time.
Washington and Pattinson have palpable charisma, but this cold puzzle offers no incentive to solve it. Throw in damsel-in-distress crap, and both my geek sensibilities and my feminism are offended.
There is real cinematic tension in this own-worst-enemy tale of addiction and its ever escalating series of bad bets. But Adam Sandler’s unfettered arrogance renders it far from endearing or fun.
Get Out wins Best Film and Best Original Screenplay. Call Me by Your Name, Dunkirk, and Three Billboards also take two awards each.
This may be Werner Herzog’s most conventional film, but its mostly untold true story knows what it means for a woman to choose a life of adventure and intellect.
An adventure of the intellect and of the heart with the real-life explorer who inspired Indiana Jones, one more about the journey than the destination.
A smart, wistful exploration of art, ambition, and celebrity, with appealingly melancholic performances by Robert Pattinson and Dane DeHaan.
Quite hilarious in a deeply disturbing way that you won’t want to look straight on at, lest it forever ruin you as a lover of movies.
My picks: Saoirse Ronan and Daniel Radcliffe…
The world’s most insipid vampires are back in inaction! Twilight has never been more about people standing around waiting for stuff to happen to them…