film criticism by maryann johanson | 25 years: 1997–2022
Candy-colored slapstick and kindergarten-level humor make this perfectly suitable for small children, and perfectly bland and inoffensive to the adults accompanying them. Somehow, I don’t think Dr. Seuss would entirely approve.
…maybe one directed by a woman who understands why we love this scoundrel.
A Star Wars–flavored juice drink* of a movie (*contains 10% real juice) that tells us nothing of significance we didn’t already know about Han Solo, in an incarnation that lacks his essential charisma and precarious danger.
There’s not a lot new here, but the vintage footage is fab, as is the much-needed reminder that the supposedly innocent past was hardly innocent at all.
Solid, old-school man-versus-nature adventure melodrama, with a simmering green awareness; rollicking, smart, breathtaking, and sobering.
An excellent complement to the novel, simplifying the science without dumbing it down yet retaining the suspense and urgency of its interplanetary stranding.
An audacious coming-of-age tale unique in the history of cinema; deeply moving and beautifully authentic.
As with the semifictionalized Rush, this documentary look at the first superstars of Formula One is gripping even if you couldn’t care less about racing.
A thoroughly magnificent film on every level, with astonishing performances by Chris Hemsworth and Daniel Brühl; one of the very best films of 2013.
Apparently men turn to dangerous athletics in order to express their emotions and existential rage.
