Razzie nominations are in!
Oh, the glorious awfulness!
Oh, the glorious awfulness!
I’ve finally gotten through the last few films I needed to see for the year, and am now able to definitively declare that of the 208 new theatrical releases I saw during the award year (which doesn’t really end till the Oscars are handed out next month), these 10 are the very worst of the lot…
Lots of love for The Social Network, Black Swan, and The Kids Are All Right…
Does Hollywood truly intend to be more creative, more original… or is this just a clever new marketing tactic?
The AWFJ is one of the critics’ groups I belong to; my input helped determine these nominees, and I will vote in the final balloting to narrow it down to the winners. I still have to watch a few of these nominees…
There’s something ridiculously and deeply sad about what Eat Pray Love reveals about the deprived lives American women lead…
I really want to like *Eat Pray Love,* because I’m desperate for stories about women living their own lives for themselves, the way that stories about men almost always are allowed to be…
…for deciding that two female action stars constitutes a “new normal”: It’s amusing to realize, in hindsight, that Luc Besson’s funky-violent French art-house thriller La Femme Nikita, in 1990, and its rote American remake, Point of No Return, in 1993, were still treating lady-killer heroines with kid gloves. At that point, seeing an actress like … more…
The numbers are in for Inception’s debut in the U.K. and the Republic of Ireland: a smidge under £6 million, exactly on par with the $62.8 million it earned in North America last weekend. (That North American number is actually up from the Sunday estimates, by almost $2.5 million. That speaks to very strong word … more…
In response to something I posted recently about “the female gaze,” I got an email from a male reader who appeared to believe that “the female gaze” refers to “movies women like to watch.” It doesn’t. Not even close. But his email got my thinking that perhaps I need to explain what “the female gaze” … more…