Chained (review)
An unnerving and provocative grenade lobbed into the heart of the horror genre…
An unnerving and provocative grenade lobbed into the heart of the horror genre…
What my followers on Facebook, Twitter, and Google+ saw today…
Oo oo oo, it’s CIA action porn when Safe House finally gets going, all mysterious black SUVs and “kill the surveillance cameras” and stoic badassery all round…
The second series of Steven Moffat and Mark Gatiss’s brilliant, brilliant Sherlock is about to start tomorrow, and so my hand is forced: I must finally write about the first series…
Does ”Soylent green is people!” or chilled monkey brains put you off your food?
I debated with myself for quite a while: Should I endure *The Human Centipede (First Sequence)*? I knew I wouldn’t be able to unwatch it afterward…
See it if you love movies with compelling characters doing fascinating things and overcoming tremendous obstacles to get to an immensely satisfying end. You know: the things that movies are supposed to do, but rarely seem to manage.
To me, Halloween isn’t about “scary” — it’s about “creepy.” Scares make you jump out of your seat and scream, but then they’re gone. The creeps stay with you forever, and then sneak back up on you in the middle of the night and keep you away long into the wee hours. What does that … more…
A movie is never more of a crushing disappointment than when you’ve gotten your hopes up, when against your better judgment you’ve bought into the hype and the advertising and the how-can-it-miss high concept. Imagine how sad the entire geek community is going to be if Sam Raimi’s Spider-Man sucks. (But it can’t suck, right? Right? I mean, it’s Sam Raimi. It’s Spider-Man. Please, whatever movie gods there are, don’t make it suck. Don’t do that to us.)
Please don’t write into tell me how sophisticated Halloween actually is, because that’s a symptom of my third point, which is that I suspect the Halloween movies are like the Star Wars movies, in that the most fun thing about them isn’t what’s actually onscreen but the fannish discussions that happen offscreen about the interrelations between characters and the interconnections between events that loop through the entire series of films.