Locked Down movie review: criminally awful
Ejiofor and Hathaway are game, but they’re grasping for something solid, and don’t find it. A deeply unsatisfying novelty artifact of the pandemic that fails to create a necessary sense of transgression.
Steven Knight
Serenity movie review: gonna need a bigger nope
Accidental hilarity turns ugly in this baffling exercise in genre-hopping that thinks it justifies its Hollywood-typical adolescent-boy attitudes about women, sex, violence, and morality. It does not.
Allied movie review: movie spies with delicious old-fashioned mystique
An elegant potboiler that judiciously balances psychological and physical suspense, one that feels like a romantic drama from WWII only recently rediscovered.
Locke review: riding in a car with a boy
We say things like, “Oh, I’d watch that guy read the phone book,” and this is almost that. Except it really is absolutely riveting, and that’s no joke.
Closed Circuit review: cheating in the War on Terror
Eric Bana and Rebecca Hall are as engaging as ever, and the film raises intriguing issues concerning the “War on Terror”; pity the plot descends into the ridiculous.
Hummingbird (aka Redemption) review: pity poor Jason Statham
Some of it is hilariously awful, and some is just plain awful. But Statham’s attempt to be taken seriously as an actor is honest, at least.
Eastern Promises movie review: viva Viggo
Movies about gangsters: You expect a lot of noise. Shouting and screaming. Barrages of gunfire. Not here. Here we have somber reflection, the lurking gray peril of an urban underbelly, shifting shifty glances and unspoken threats. ‘Eastern Promises’ is almost silent — even its title sounds like a shush.
