
Snowpiercer movie review: hunger train
Hauntingly grim, full of appalling ironies and awful truths. This is most definitely not the feel-good movie of the summer.

Hauntingly grim, full of appalling ironies and awful truths. This is most definitely not the feel-good movie of the summer.

A painfully funny odyssey of personal ineffectualness that is bitterly wonderful in how it revels in the decrepit horror of the everyday world.

A hugely ambitious film reminiscent of The Matrix and the works of Terry Gilliam while also carving out its own apocalyptic sci-fi space.

I’m hyperventilating from the array of overwhelming movie awesomeness before me.
Links my followers on Facebook, Twitter, and Google+ saw today…
Once in a while a film comes along that demonstrates how pig-headedly sexist Hollywood is when it comes to ignoring female perspectives.
How can it be that a kiddie movie is wiser and funnier and more relevant than the Coens Brothers’ True Grit? This is, in fact, what a Coens’ animated flick might look like and sound like, if they got an assist from Terry Giliam: this is a deeply weird and deeply demented movie, and thrillingly so.
In Case 39, Renee Zellweger plays a social worker who rescues a child (Jodelle Ferland) from abusive parents only to discover that perhaps it was the demon child who was abusing her guardians. This flick sprang from (among other films)…
We know how it is: You’d like to go to the movies this weekend, but you dropped a pocketwatch in the shower and now you’re stuck in 1857. But you can have a multiplex-like experience in the 19th century (assuming you remembered to bring along your portable DVD player) with a collection of the right … more…
Gilliam gamboling freely through the public subconscious just doesn’t work, this time, on any level other than a meta one.