handcrafted by maryann johanson (human) | 100% free of AIs and algorithms
Well, this is a huge letdown. A Toy Story game? How could that be less than awesome, I thought. And yet it’s not only disappointingly mundane and simplistic, it also has just about nothing to do with Toy Story. I was hoping for, I dunno, maybe a chance to explore Andy’s room, maybe have to … more…
But zombies and mad science and sentient toys hold strong: 1. Couples Retreat: $34.3 million (NEW) 2. Zombieland: $14.8 million (2nd week; drops 40%) 3. Cloudy with a Chance of Meatballs: $11.5 million (4th week; drops 27%) 4. Paranormal Activity: $7.9 million (3rd week in release; 1st week in top 5) 5. Toy Story/Toy Story … more…
A quick look at last weekend’s numbers as we head into a new weekend: 1. Fame: £1.8 million (2nd week; drops 25%) 2. The Invention of Lying: £1.7 million (NEW) 3. Toy Story 3D: £1.4 million (NEW) 4. Cloudy with a Chance of Meatballs: £1.1 million (3rd week; drops 20%) 5. Surrogates: £.6 (2nd week; … more…
And so do decade-old movies about playthings: 1. Zombieland: $24.7 million (NEW) 2. Cloudy with a Chance of Meatballs: $15.8 million (3rd week; drops 37%) 3. Toy Story/Toy Story 2 3D: $12.5 million (NEW) 4. Surrogates: $7.2 million (2nd week; drops 51%) 5. The Invention of Lying: $7 million (NEW) actual numbers, not estimates What … more…
Ah, Mr. Fanboy. I’ve been expecting you. What, you thought sneaking into my fortress in the dead of night was your idea? Fanboy, you disappoint me with your lack of guile and imagination…
I’m not going to San Diego Comic Con this week. I wish I was. One of these years, I will get there. And I wouldn’t be alone, of course: it’s been a long time since fandom and geekness has been a primarily male domain (if it ever was). But you’d hardly know that from the … more…
Wall-E is practically religion. It’s spiritual in the secular sense, asking us to contemplate the great things we are capable of, and how we so frequently fail to even try to live up to that potential.
Cars are people too? Sooo not funny.
I am curious (yellow).
*Finding Nemo* is stunningly exquisite, an extraordinary leap forward in artistry for Pixar, and for computer animation in general, bringing a strange and alien world to life, so real you could almost reach out and touch it, knowing that it would be wet if you did. Truly, *Nemo* is an immersive experience. But only visually. Because the moment all the gorgeously rendered inhabitants of this beautiful undersea realm open their mouths, they sound surprisingly, and rather depressingly, human.
sample sponsored post (sponsored) - Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce quis risus odio.
