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A British filmmaker documents the arrogance and disdain with which Donald Trump wields the power of his money… a warning for Americans come Election Day.
Tough, unanswerable human questions frame spectacular, innovative action sequences that are like superhero ballets. This series just keeps getting better.
A riveting BBC political thriller offering one of the most trenchant explorations yet of the sick symbiosis between big government and big business.
With its time-twisting plot, sci-fi soapiness, powerful humanism, and to-die-for cast, this is the summer blockbuster done with elegance and heart.
I was literally in tears for parts of Argo, a purely physical reaction, not an emotional one, to deal with the tension. The only other option would have been to moan out loud, the film is almost that unbearably nerve-wracking.
No spoilers here, if you’re in the U.K. and you’ve been good and won’t see this episode till tonight, when it finally airs on BBC One. There are no spoilers because there’s pretty much no way to spoil this episode: it’s all setup… all the setup we’ve already heard about.
Admirable. Too, too admirable…
*Salt* works. As in breathless-nonstop–action-intensity works. Oh, sure, it’s nutty-as-a-fruitcake insane at the same time, but being this hugely entertaining goes a long way toward making you not want to laugh at it.
It’s as if Jane Austen and Monty Python collaborated on an episode of *The West Wing*…
Some of the most vehemently anti-gay politicians at work in Washington DC and our state capitals are themselves gay. But they pretend not be.
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