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‘Orphan’ and the generational aspects of horror

If you’ve been reading my online writings for any length of time, you may already be aware that I’m a fan of the works of William Strauss and Neil Howe, who’ve proposed a generational theory of history and culture that involves a regular, pendulumlike shift in attitudes every 25 years or so — that is, … more…

The Sting (review)

The Sting is pretty universally acknowledged as one of the best films ever made. From the flawless performances all round to the clever script, this is movie magic that approaches a kind of wizardry. Not a note is out of place — every line, every scene builds on what’s come before until it ends so breathlessly and abruptly that it leaves you astounded at its audacity. Lonnegan’s not the only one who gets conned; writer David S. Ward and director George Roy Hill sting the viewer, too. This is just about as perfect as movies come.