Kung Fu Hustle and Save the Green Planet (review)

If you’re looking for some real verve at the movies right now, you’ve gotta head east… waaay east, to a place where if the filmmakers are working within their own traditional framework and structures and dealing with their own hoary clichés and tropes, those building blocks are all at least fresher to those of us weaned on Hollywood flicks and getting tired of seeing the same old thing.

The Rutles 2: Can’t Buy Me Lunch (review)

I don’t think I’ve ever been so crushingly disappointed in something I was certain was a sure bet. How could this happen? How could Eric Idle have morphed, seemingly overnight, from a satiric force of legendary and historic proportions (or, at least, from part of a satiric force of legendary and historic proportions, ie, Monty … more…

Rappaccini’s Daughter (review)

Nathaniel Hawthorne’s classic short story plays like an 18th-century episode of The Twilight Zone, exuding an enigmatic romanticism, in this 1980 production from PBS’s erstwhile American Short Story Collection. The sound and video are quite atrocious — near Zapruder quality, actually — but the power of the tale of forbidden love and twisted devotion shines … more…

It’s All Gone Pete Tong (review)

Tragic and ironic disability. Crippling grief. Implacable personal demons. It sounds weird, but this is hilarious stuff. This impressive second feature from music-video director Michael Dowse pulses with energy and passion and the groove of the rave scene, but its affecting power is fueled by the true story of deejay Frankie Wilde, whose life of … more…

Highway to Heaven: Season One (review)

If there can be said to be an “on a mission from God” genre of dramatic television, then Highway to Heaven inaugurated it with its 1984 debut, now reproduced in all its saintly glory on DVD. This is not challenging drama, and to call it melodrama is being kind — this is comfort TV of … more…

Doogie Howser, M.D.: Season One (review)

This 15-year-old series holds up extremely well today, with a level of sophistication and a surprising wisdom that ranks it among one of TV’s better explorations of adolescent angst. The delightful Neil Patrick Harris (Harold & Kumar Go to White Castle) brings clever insight to Doogie, 16-year-old doctor and all-around boy genius, and through 26 … more…

The Amityville Horror (review)

So — and this would have been around the time the 1979 *Amityville Horror* came out — there was this kid I went to elementary school with on Long Island, and he used to regale us with stories of the real Amityville Horror house, because he used to live on the same street, and this, in the annals of kiddom, was as good as having wielded a murderous axe himself.

Winter Solstice and House of D (review)

Why did the most successful marauding army in the history of the world, the Mongols, turn away from fresh, guaranteed conquest and head for home at the height of their plundering? ‘They found out their leader died,’ high-school student Pete Winters says to his summer-school teacher, with an air of discovery that has nothing to do with the scholarly. He probably doesn’t realize it — Pete is even more sullen and withdrawn, and less self-aware, than most teenagers, though with good reason — but his insight comes from his own personal experience with spirit-crushing discouragement and despair.

Fever Pitch (1997) and Fever Pitch (2005) (review)

If the word ‘pitch’ weren’t coincidentally associated with both football and baseball, allowing the producers of this new film to retain the title, you’d never know there was any relationship between the two films.

Sahara (review)

Sometimes you want reality from The Movies, and sometimes you just want a big ol’ cartoony popcorny action adventure flick that’s exciting and makes you laugh and doesn’t require deep thinking but also isn’t so stupid that it makes you want to cry. And I got a huge kick out of this one. So there.