Harvey Birdman, Attorney at Law: Volume One (review)

“Feel the power of attorney!” screams Harvey Birdman, cartoon lawyer, and you will, my friend, you will. The entry in Cartoon Network’s late-night Adult Swim ransacks the cartoon world for legal cases, and the butts in the witness chair belong to a rogue’s gallery of sketchy characters — Shaggy and Scooby-Doo, Yogi Bear, Fred Flintstone, … more…

Dynasty: The Complete First Season (review)

Forget “Who shot JR?” It’s “Who’s testifying against Blake Carrington at the murder trial of his son’s homosexual lover?” here in this, one of the earliest primetime soap operas and a primo example of the overbaked glitz, dizzy glam, and enormous shoulder pads that dominated early-80s entertainment. It’s slow moving, even for a soap opera, … more…

Bill Maher: Be More Cynical (review)

It’s hard to believe that this could be a kinder, gentler Bill Maher than we’ve seen of late, but this HBO comedy special was taped in 2000, before Maher ran afoul of the new post-9/11 miasma created by the new political correctness bumping up against a contraction of personal freedom, before he got real crotchety. … more…

Shortcuts

These reviews have moved — sorry for the inconvenience. Airline: The Complete Season 1 Bill Maher: Be More Cynical Clarissa Explains It All: Season One Double Dare Dynasty: The Complete First Season Ed, Edd n Eddy: Volume 1: Edifying Adventures Entourage: The Complete First Season Hacks Harvey Birdman, Attorney at Law: Volume One Jack and … more…

XXX: State of the Union (review)

Pimp My Action Movie So I overhear this gang of guys and girls chattering away excitedly after the semi-public screening of XXX: State of the Union, and they can’t shut up about what a great movie this is, how it’s “the best action movie since Die Hard,” one of them says. Why? “There’s not a … more…

3-Iron (review)

Kim Ki-duk’s follow-up to his beautifully, expressively quiet Spring, Summer, Fall, Winter… And Spring is another film that is beautifully, expressively quiet in a completely different way. Tae-suk (Jae Hee) walks on the outermost edges of city society, a modern Goldilocks who breaks into houses and apartments while the inhabitants are away, sleeping in their … more…

Ladies in Lavender (review)

The bracing, windswept landscapes of England’s Cornish coast are mirrored in the poignancy of this tale of loneliness reprieved through a sudden awakening of feelings long suppressed. Two sisters living alone in a seaside cottage find their dull routine upended, in the most delightful way, by the arrival of an unexpected houseguest: a young man … more…

The Hitchhiker’s Guide to the Galaxy (review)

This is my copy of *The Hitchhiker’s Guide to the Galaxy.* It’s the first and only copy of the book I’ve ever owned, and I acquired it in, what? eighth grade, maybe. It’s sorta hard to see in the photo, but the front cover has had to be scotch-taped back onto the spine, which is itself in such poor shape that most of the original text has long since worn away. The entire book is so beat up that if I weren’t suffering from such a massive case of geeky disappointment (more on which to come in a moment), I’d probably go into Douglas Adams mode and say something like how the book could only be considered dog-eared if the dog were in fact the Demented Galactawolverine of some silly planet with lots of Gs and Zs in its name, which as everyone knows has 125 ears and as such is the only canine in the universe for which dog whistles blah blah blah.

Life, the Universe, and Douglas Adams and The Hitchhiker’s Guide to the Galaxy (review)

It is revealed in *Life, the Universe, and Douglas Adams,* the 2002 direct-to-video biography of/tribute to the writer, that the horror of getting a film made of his signature novel, *The Hitchhiker’s Guide to the Galaxy,* was ‘the single most substantial frustration of [his] professional life.’ We can now, of course, only guess at how he would have taken to Hollywood’s adaptation of the book — Adams died suddenly and unexpectedly in May 2001 — but for those to whom the movie will be their first exposure to the man’s outrageous satire and piercing wit, *Life* is a loving and funny introduction to the man himself.

The Interpreter and In My Country (review)

It has the veneer of significance, and that’s really all a Hollywood movie needs these days to be considered ‘serious,’ right? Everyone involved is pedigreed — director Sydney Pollack and stars Nicole Kidman and Sean Penn have all won Oscars — and they’re dishing out a high-toned film set in the hushed and somber world of international diplomacy, one that raises the spectre of Middle Eastern-style suicide bombings on streets of New York, though not in any gratuitous or *Die Hard*-y way, oh no, more in the way of a smothered nightmare that hovers on the edge of your awareness that all New Yorkers post-9/11 will recognize.