Man Push Cart (review)

If you’ve forgotten — or never known — the rhythm and grace that cinema can sing with, then please, for your own sanity, see ‘Man Push Cart,’ and rediscover how achingly lovely a film can be.

Trust the Man (review)

Has an abundance of charm and wisdom and heart, thanks to the appealing cast and smart script.

Crank (review)

Is it possible that a movie so utterly without redemptive value, so completely, pointlessly uncalled for, can also be, you know, kinda fun?

The Quiet (review)

Cuthbert picked a poor film to get behind as star and producer: it mistakes luridness for tragedy and monotony for sophistication.