Previous: Episode 2: “Rendition”
Thank you, Torchwood, for sucking so much I can’t even enjoy naked John Barrowman.
Nope. Nuthin’. I won’t be in my bunk.
It’s totally terrifying how bland and boring this American Torchwood is. I can’t believe how badly written it is. It’s everything I feared would happen when we heard the show was moving to America — both storywise and productionwise — and everything I reassured myself could not happen because Russell T. Davies would still be in charge.
How did Davies let this happen? Everything is so hamfisted, so clunky, so pointless, or so random… sometimes all at once. Oswald Danes makes no sense as a prophet or hero or whatever he’s supposed to be. It makes no sense for him to have gone on national TV. It makes no sense that he’d trust cops. It makes no freakin’ sense at all that anyone would forgive him for the brutal and (previously) unapologetic rape and murder of a child. Whatever hidden motives Danes might have that may eventually be revealed, nothing can excuse the utterly unconvincing notion that huge portions of the public would be treating Danes like a rock star. Perhaps if he’d been the only person suddenly turned immortal, that might give some people pause, and cause to wonder if there might be something special about him. But that’s not what happened. It seems to me that the general response would be the same one the couple from the dinner had: pure rage. We’ve seen nothing to explain why this isn’t the case.
Bill Pullman, though… he’s great. The scene in which he confesses to Jack how he really feels about what he did is powerfully creepy, especially since this is so far removed from the types of characters he usually plays. Kudos to Pullman, at least.
On the flip side, the attempts at humor are painful. Gwen doesn’t notice for long minutes that she’s driving on the wrong side of the road, until Rex points it out to you? Come on. “Banter” about how crisps are chips and lemonade is flat. Really? I can’t even begin to fathom how any respected professional screenwriters would come up with this… certain not Jane Espenson or Davies. Their subversion is an alien plot I could buy. It’s the only explanation.
Nope, still not helping.
Good lord, the sex. None of it is hot: it’s silly. Jack is feeling mortal so he picks up a cute bartender. Perhaps if this were a deviation from Jack’s normal behavior, it would be notable or interesting. But Jack has always been sexually omivorous, so how is his taking a shag break in the middle of a dangerous adventure anything new?
Let’s not even go into the “I am Jack’s romantic desperation” phone call to Gwen. Seriously: ’shipper fan fiction writers would have been embarrassed to pen that.
Rex and Juarez? I laughed out loud at this. It’s like one of those ridiculous Penthouse letters:
Remember that time we all got immortal? Well, I was on the run from a CIA conspiracy, possibly one involving aliens, after I had survived being impaled through the heart, when I broke into my doctor’s house for some bandages and pain medication. Before I knew what was going on, we were having sex!
Holy crap. I suddenly realize that the awkward dialogue these characters have shared since Episode 1, which mostly involved her being completely professonial and him be a complete jerk, was supposed to have been indicative of sexual chemistry between them.
In this world of the Miracle Day, would people still make jokes in which they request that someone shoot them to put them out of their misery?
The Soulless? Might be nice to have the teensiest explanation for what prompted this. Gwen shrugging it off doesn’t cut it. Having your characters dismiss stuff that makes no narrative sense by saying as much is such a dirty cheat.
“Bigger on the inside than the outside.” Yea! A tiny Doctor Who reference that no one will get. Fine. What makes no sense: Torchwood gets apparently unrestricted access to the headquarters of Phicorp, the pharmaceutical company that seems to have known Miracle Day was coming, and they head for the office of the PR lady? WTF? It’s a pretty safe bet that whatever insider info Lauren Ambrose may have about what Phicorp is up to, she doesn’t know the half of it. And Torchwood would know that.
I am gripped by an unpleasant feeling that no one behind “Miracle Day” gives a shit about it. When Wayne Knight says, “They’re everywhere, they know everything,” and that these mysterious They have been around for decades, he’s either wrong about that, which would seem to be contrary to what we see happening here, or it contradicts the established universe in which this story is taking place. Unless UNIT is behind Miracle Day. Because while Davies et al may want to pretend they don’t know from Doctor Who, they also seem to be forgeting the background of Torchwood, too. This not-feeling-like-Torchwood thing “Miracle Day” is suffering from may be a feature, not a bug. And that scares me more than Oswald Danes.
• Great quote:
“I was a Catholic, too, once. I got better.” –Dr. Juarez
Next: Episode 4: “Escape to LA”