Offers a very regressive view of a woman’s power in our culture, one that is faux feminist and supports a hoary fantasy of what women are “supposed” to be.
Warning! Some of the details here may constitute spoilers for those not familiar with the story.
Is there a female character with significant screen time who grows, changes, and/or learns something over the course of the story? (for an ensemble cast, or a film with a male protagonist) [why this matters]
-10
Is there a woman who is mostly pretty awesome and perfect who is present to support a man improving himself? [why this matters]
Is there a female character (either a protagonist or a supporting character with significant screen time) in a position of authority (politics, law, medicine, etc.)? [why this matters]
Does a man police or attempt to police a woman’s sexual agency? [why this matters]
+10
Is he rebuked for it, either directly (by a character onscreen) or indirectly (by how it is depicted)? [why this matters]
WILDCARD SCORE:0
Is there anything either positive or negative in the film’s representation of women not already accounted for here? (points will vary)
No.
TOTAL SCORE:-19
IS THE FILM’S DIRECTOR FEMALE? No (does not impact scoring)
IS THE FILM’S SCREENWRITER FEMALE? Yes (Gillian Flynn) (does not impact scoring)
BOTTOM LINE: With its faux feminist female villain who wreaks sexualized rage on men, this is a very regressive and limited view of a woman’s power in our culture, one that a smart and capable female cop cannot balance out, because even she is undercut by a fantasy of what women are “supposed” to be.
NOTE: This is not a “review” of Gone Girl! It is simply an examination of how well or how poorly it represents women. (A movie that represents women well can still be a terrible film; a movie that represents women poorly can still be a great film.) Read my review of Gone Girl.
See the full rating criteria. (Criteria that do not apply to this film have been deleted in this rating for maximum readability.)
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