
FEMALE AGENCY/POWER/AUTHORITY SCORE: +11
THE MALE GAZE SCORE: 0
[no issues]
GENDER/SEXUALITY SCORE: 0
[no issues]
WILDCARD SCORE: 0
Is there anything either positive or negative in the film’s representation of women not already accounted for here? (points will vary)
No.
TOTAL SCORE: +36
IS THE FILM’S DIRECTOR FEMALE? No (does not impact scoring)
IS THE FILM’S SCREENWRITER FEMALE? No (does not impact scoring)
BOTTOM LINE: This is the sort of representation of half the human race that we don’t see enough of onscreen: a woman who is a wife and a mother (nothing wrong with that!) but not as her defining characteristic. Here we have a woman with a full, rich life and deeply troublesome problems that are uniquely her own, and which she requires the support of others to muddle through.
Click here for the ranking of 2014’s Oscar-nominated films for female representation.
Click here for the ongoing ranking of 2015’s films for female representation.
NOTE: This is not a “review” of Still Alice! It is simply an examination of how well or how poorly it represents women. (A movie that represents women well can still be a terrible film; a movie that represents women poorly can still be a great film.) Read my review of Still Alice.
See the full rating criteria. (Criteria that do not apply to this film have been deleted in this rating for maximum readability.)
This rating is brought to you without paywall restrictions by my generous Kickstarter supporters. If you missed out on the Kickstarter and would like to support this project, you may:
• become a monthly or yearly subscriber of FlickFilospher.com
• make a pledge at Patreon
• make a donation via Paypal


















