
Two Days, One Night movie review: on the coins of a dilemma
A genuine horror story, sweaty with a palpable ring of truth about the unending fear that accompanies life on the knife edge of financial despair.

A genuine horror story, sweaty with a palpable ring of truth about the unending fear that accompanies life on the knife edge of financial despair.

In Spitalfields.

This is how you portray women in a film with a male protagonist: as existing as people in their own right not defined solely by their relationship to him. [This post is not behind the paywall.]

Kudos to the film for including more than one token women in its mix. Too bad the (male) CGI cyber-raccoon is more fully realized than any of them are. [This post is not behind the paywall.]
Yet more solid proof of a major problem with how women are represented onscreen. Not that we needed it… [This post is not behind the paywall.]

Graffiti for God.

This is how you squander a female protagonist: Don’t let her make any decisions about her own life and make sure she is in constant need of rescue by a man. [This post is not behind the paywall.]

The answer is ridiculously obvious, in fact…

The only woman is shuffled aside as hero in favor of a doofus guy… and then she’s reduced to a joke about how badly she’s being treated. Har har? [This post is not behind the paywall.]

Peter Jackson would have been better off, if he was worried about how women are represented on film, just leaving his Hobbit female-free. [This post is not behind the paywall.]