
Miss Sharon Jones! documentary review: get up, get on back up
Cheer-worthy portrait of a singer for whom overcoming adversity has been a mainstay, and a testament to the power of music and family to keep a gal going.

Cheer-worthy portrait of a singer for whom overcoming adversity has been a mainstay, and a testament to the power of music and family to keep a gal going.

An atypical disaster movie, less about the failure of technology than the failure — and perhaps the resurgence — of the human spirit in the face of that.

Everything looks great on paper here: Damon’s brawny presence; the smartly staged action, etc. And it’s not unfun. But it feels less black ops than old hat.

Moments of genuine tension are few in this would-be suspenseful thriller, which can’t settle on a state of mind for its protagonist, or for its own story.

This South Korean hit is an oozy doozy of a horror-thriller; confidently spins out its own unique — and breathless — take on familiar genre tropes.

Intense action; smart, funny nods to its roots while moving in a new direction; and explicit confrontation of a problem always at the heart of Star Trek.

The Ice Age flicks are the cinematic equivalent of drive-through nuggets of reconstituted chicken slurry served by a bored teenager in a cardboard hat.

Delightful. A sharp, affectionate peek inside the cozy, supportive community of writers and readers that drives multibillion-dollar romance book publishing.

Kate McKinnon’s gleefully reckless physicist is brainy comic mayhem, unlike any female character we’ve seen before. And there are more reasons to cheer.

I wrote a thing for PBS’s Independent Lens blog. Here’s the beginning… [This post is not behind the paywall.]