
London photos: Westminster Abbey transformed at Lumiere London
I don’t know how the artist got so precise with the color.

I don’t know how the artist got so precise with the color.

A female protagonist in a position of authority, in which she is allowed the space to be professional and be heeded by men, is a very good thing.

A protagonist who revels in the sheer cynicism of her job gets a sentimental redemption out of nowhere; Sandra Bullock’s comedic chops are undercut by it.

Women wait, and wail, while men struggle to survive and other men struggle to rescue them.

A missed opportunity to tell what should be a captivating real-life disaster tale that is instead plodding, scattershot, and lacking in dramatic impetus.

In the big plaza called Granary Square, near King’s Cross, the Circus of Light was projected onto a former warehouse.

In the fountain in Trafalgar Square.

In St. James’s Square, off Piccadilly, there were flying men.

The elephant up in the arcade on Regent Street was marvelous.

Lazy and trite, with a passive protagonist. It’s as if no one here understands the appeal of the postapocalyptic YA genre it is attempting to piggyback on.