Crowhurst movie review: the worse things that happen at sea
A little bit psychedelic, a little bit queasy, a little bit experimental, a lot existential, this is a jarring, visceral portrait of the around-the-world sailor in over his head.
Month: March 2018
Midnight Sun movie review: Cupid’s shot in the dark
Ah, it’s another “teen falling in love while dying beautifully” romance. When it isn’t sappy and predictable, it doesn’t make a whole lot of sense. Its young couple is perfectly charming, though.
Prodigy movie review: little girl lost
This low-budget science-fiction film has an ambition that exceeds its reach, and has nothing to surprise the self-respecting geek a movie like this one is aimed at.
Unsane movie review: is she or isn’t she?
As a piece of craft, this is a smack in the face to Hollywood’s bloated blockbusters. As a piece of pulp, it brings a sharp, smart feminist twist to familiar tropes of cinematic paranoia.
‘Ready Player One’ reread, Part 2
I finished up my reread of Ready Player One, by Ernest Cline — soon to be released as a major motion picture by Steven Spielberg — today on Twitter. Here’s my commentary.
‘Ready Player One’ reread, Part 1
My reread of Ready Player One, by Ernest Cline — soon to be released as a major motion picture by Steven Spielberg — commenced today on Twitter. (I’ll finish tomorrow.) Here’s how it’s gone down so far.
movies by or about women opening US/Can from Fri Mar 16
Rosamund Pike hijacks a plane, Melissa Leo gets a break from prison, Odeya Rush befriends a dictator, and more…
movies by or about women opening UK/Ire from Wed Mar 14
Rooney Mara and Alicia Vikander head up their own stories, about women with varying degrees of adventure in their souls.
Mary Magdalene movie review: the Gospel of Mary
A fiercely feminist and proudly revisionist historical drama that offers a powerful and much-needed rebuke to modern Christianity. Enrapturingly beautiful and intensely emotional.
Tomb Raider movie review: raiders of the old movie
Another videogame adaptation in which empty avatars run around perfunctorily because that’s what the plot requires of them. There’s no humor, no fizz, no movie magic at all.
