
BASIC REPRESENTATION SCORE: 0
FEMALE AGENCY/POWER/AUTHORITY SCORE: 0
THE MALE GAZE SCORE: 0
[no issues]
GENDER/SEXUALITY SCORE: -5
WILDCARD SCORE: -3
Is there anything either positive or negative in the film’s representation of women not already accounted for here? (points will vary)
The male protagonist makes reference to his dead wife, which has the same impact as mentioning a “dead mother” [why this is a problem].
TOTAL SCORE: -8
IS THE FILM’S DIRECTOR FEMALE? Yes (Nancy Meyers) (does not impact scoring)
IS THE FILM’S SCREENWRITER FEMALE? Yes (Nancy Meyers) (does not impact scoring)
BOTTOM LINE: While at first glance it looks as if this could be a film that represents women well, every potential positive comes with an accompanying negative. This is ostensibly a woman’s story, but the film’s protagonist is male and her tale is told secondhand, through his eyes. She holds a position of authority, but the entire story is about how this authority negatively impacts her life, and the “solution” presented for her problem is no solution at all, and is only going to ensure that the negative impact of her authority continues.
Click here for the ongoing ranking of 2015’s films for female representation.
NOTE: This is not a “review” of The Intern! It is simply an examination of how well or how poorly it represents women. (A movie that represents women well can still be a terrible film; a movie that represents women poorly can still be a great film.) Read my review of The Intern.
See the full rating criteria. (Criteria that do not apply to this film have been deleted in this rating for maximum readability.)
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