
Madame Web movie review: absurdly tangled
A travesty of corporate cynicism. Its desperation to ride Spider-Man’s coattails is pathetic, but its convoluted, coincidence-laden nonsense is duller than you’d imagine: it’s not even so bad it’s fun.

A travesty of corporate cynicism. Its desperation to ride Spider-Man’s coattails is pathetic, but its convoluted, coincidence-laden nonsense is duller than you’d imagine: it’s not even so bad it’s fun.

Unusually psychologically astute and utterly unnerving as it digs into the enigmas and anxieties of artistic creation. Style is substance in this challenge to the very concept of an “animated movie.”

Like you’re constitutionally incapable of not muttering a line of dialogue to yourself when you’re in that particular place?

2022 doc Navalny is on Max in the US, Dogwoof on Demand in the UK.

It’s almost impossible to convey the level of excitement and anticipation if you didn’t experience it that spring and summer of 1999…
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A vacuous multitentacled exercise in pop-culture marketing, and a crass, confused, charmless showcase for Matthew Vaughn’s goes-to-11 hyperactive “style” of unconvincing CGI and frenetic fight scenes.

And would you actually wear it?

2007’s The Bucket List is on Prime on both sides of the Atlantic (and other services, too).

2013’s The Secret Life of Walter Mitty is on Prime in the US, Disney+ in the UK.