curated: ‘Die Hard’ IS a Christmas movie
Case closed.
Case closed.

Like the book it’s based on, the worldbuilding is intriguing, but the characters and story are strictly cliché. A lazy, confused, and derivative disaster, with plot points and visual and thematic motifs shamelessly stolen from far better movies.

Has a verve rare in big-budget movies at the moment. Fun and fresh and legitimately engages with its source material on the levels of story, visuals, and mythology all at once. It feels like discovering storytelling anew.
This is even better than my Where Are the Women? project found…

A lovely movie that warmly embraces a wide(ish) range of girls-and-women-as-people, one that doesn’t reduce its large heroine — the amazing Danielle Macdonald — to nothing more than her size. This should not feel so damn radical, but it is.
But her groundbreaking book is coming back into print (a century later).

Bridey Elliott directs dramedy Clara’s Ghost; Alexis Bloom directs documentary Divide and Conquer: The Story of Roger Ailes; more…

Lola Arias directs documentary Theatre of War; Mélanie Laurent and Alicia Vikander costar in historical romances; and not much more…
I’m afraid it means more hassle for some of my most devoted, most supportive readers. I wish it didn’t have to be like this…
Two big new sections arrive on the site today, both excuses for me to review more — and more different kinds of — movies.