
Cold War (Zimna wojna) movie review: chilly romance
This lush throwback to European cinema of the 1950s and 60 looks gorgeous and sounds wonderful, but it never quite gels as the passionate romance it wants to be.

This lush throwback to European cinema of the 1950s and 60 looks gorgeous and sounds wonderful, but it never quite gels as the passionate romance it wants to be.

Laura Nix directs a documentary about teenaged inventors; Lucinda Coxon writes a gothic horror tale; more…

Melissa McCarthy investigates puppet murder; Joanna Kulig falls in love postwar Poland. And that’s it…

A dark, bitter bonbon of an anti-romcom: so marvelously unromantic, so beautifully catty and witty. Keanu Reeves and Winona Ryder were born to play these roles.

With smarts, warmth, and humanity, this mystery that unfurls entirely on computer screens becomes an ode to the new digital lives we are all leading, from how we use our devices to what they say about us.

Marguerite Duras’s semifictionalized memoir of psychological survival and emotional endurance in Paris during the Nazi occupation makes an uneasy, listless transition to the screen.

Ugly, sordid, and proud of it, with less than no justification. “Meet the Feebles meets Who Framed Roger Rabbit” conveys a far greater sense of dignity, cohesion, and purpose than this witness movie deserves.

The nicest, kindest critique of toxic masculinity imaginable. The makeovers aren’t only about new clothes and a haircut: they’re about men waking up to a new sense of self, and a new participation in their own lives.

Emily Mortimer opens a bookshop; Melissa McCarthy investigates puppet murder; more…

Susanna Fogel directs a comedy about a spy’s girlfriend; Renee Edwards directs a documentary about New Orleans musicians; more…