
Memoir of War (La Douleur) movie review: woman on the homefront
Marguerite Duras’s semifictionalized memoir of psychological survival and emotional endurance in Paris during the Nazi occupation makes an uneasy, listless transition to the screen.

Marguerite Duras’s semifictionalized memoir of psychological survival and emotional endurance in Paris during the Nazi occupation makes an uneasy, listless transition to the screen.

Ugly, sordid, and proud of it, with less than no justification. “Meet the Feebles meets Who Framed Roger Rabbit” conveys a far greater sense of dignity, cohesion, and purpose than this witness movie deserves.

The nicest, kindest critique of toxic masculinity imaginable. The makeovers aren’t only about new clothes and a haircut: they’re about men waking up to a new sense of self, and a new participation in their own lives.

Emily Mortimer opens a bookshop; Melissa McCarthy investigates puppet murder; more…

Susanna Fogel directs a comedy about a spy’s girlfriend; Renee Edwards directs a documentary about New Orleans musicians; more…

Courtroom drama? Portrait of a marriage? Character study of a workaholic? This frustratingly random film cannot figure out what it is or what it wants to say… but Emma Thompson’s beautifully empathetic performance is worth your time.

The remarkable Ice Age setting is all that distinguishes — and not by much — a depressingly conventional boy-and-his-dog story.

Should I write about it? I will if I get 10 new Patreon patrons by Saturday morning-ish…

It’s weighed down by unnecessary narration and a surprising lack of conflict. But star Emily Mortimer and director Isabel Coixet create a character study of a rarity onscreen: an earnestly cerebral woman.

Adele Lim and Lea Carpenter cowrite two of the week’s wide releases, (respectively) Crazy Rich Asians and Mile 22. Progress!