The Aviator and Beyond the Sea (review)

There’s a scene in *The Aviator* and one in *Beyond the Sea* that exemplifies how each film approaches its biographical subject, how very different those approaches are, and why both films are so equally entertaining nevertheless.

Shortcuts

These reviews have moved — sorry for the inconvenience. The Assassination of Richard Nixon Changing Skins (Raus aus der Haut) Cold Feet: Pilot and Complete 1st Series The 4400: The Complete First Season God, The Devil and Bob Hester Street Hitler’s Hit Parade The Intended In the Realms of the Unreal: The Mysterious Life and … more…

A Love Song for Bobby Long and In Good Company (review)

Okay, I admit it: I had a big ol’ lump in my throat by the end of the *A Love Song for Bobby Long.* In the hands of lesser talents, this would have been a CBS Sunday Night Movie, unendurably sappy-sweet and starring refugees from sitcoms trying to ‘get serious.’ But writer/director Shainee Gabel (adapting Ronald Everett Capps’s novel *Off East Magazine Street*) has instead given us the perfect little Christmas gift we didn’t know we wanted, genuinely poignant and full of a celebratory spirit of family.

say what? worst. lines. ever, 2004 edition

Here, in one place, the funniest bad dialogue of the year 2004. They’re not ranked — they’re all equally awful. [Warning: May contain spoilers.] [click here for the best, most quotable snippets of dialogue from 2004] “Clearly, madam, genuis has turned to madness.” –Raoul (Patrick Wilson), to Madame Giry (Miranda Richardson), on the Phantom (Gerard … more…

totally quotable: best. lines. ever, 2004 edition

Here, in one place, the most quotable movie lines of the year 2004. They’re not ranked — they’re all great. [Warning: May contain spoilers.] [click here for the funniest bad snippets of dialogue from 2004] “Only people from the Bronx care about the Oscars.” –Sandra Dee (Kate Bosworth), Beyond the Sea “I’ve never seen a … more…

William Shakespeare’s The Merchant of Venice (review)

The Bard’s powerful tale of love and revenge, injustice and mercy gets a lush new mounting from writer/director Michael Radford, and its vibrant period setting serves as a stirring contrast to how relevant its motifs of seething hate, hypocrisy, and intolerance remain today. Sixteenth-century Venice is here vital and lively, thanks in large part to … more…

The Intended (review)

To describe its plot makes it sound, rightly, like classic literature; to praise its smart, underplayed performances puts it in the company, appropriately, of great filmic drama; to find it niggling at your subconscious like a half-remembered nightmare days after you’ve seen it makes you realize what a grown-up thriller looks like. On the surface … more…

The Assassination of Richard Nixon (review)

In 1974, a man named Sam Bicke hatched a plot to hijack an airplane and crash it into the White House, the occupant of which he saw as the cause of all his many failures as a man, and he actually got as far as killing the pilot of a plane on the tarmac in … more…

Fat Albert and Darkness (review)

There’s bad, and then there’s movies like *Fat Albert* and *Darkness,* movies that alternately make you curl up into a fetal position and whimper or throw things at the screen and yell ‘Dear God in heaven, someone make it stop!’ But they don’t stop: they go on and on and on in their clueless awfulness, days and days and days of your life sucked away while tiny evil incorporeal mice chew away on your soul the whole time, and then it turns out the damn movie was only 80 minutes long and only banging your head against a rock until you’re insensate can make the pain go away.