
Train to Busan (Busanhaeng) movie review: delays due to zombies
This South Korean hit is an oozy doozy of a horror-thriller; confidently spins out its own unique — and breathless — take on familiar genre tropes.

This South Korean hit is an oozy doozy of a horror-thriller; confidently spins out its own unique — and breathless — take on familiar genre tropes.

Intense action; smart, funny nods to its roots while moving in a new direction; and explicit confrontation of a problem always at the heart of Star Trek.

The Ice Age flicks are the cinematic equivalent of drive-through nuggets of reconstituted chicken slurry served by a bored teenager in a cardboard hat.

Delightful. A sharp, affectionate peek inside the cozy, supportive community of writers and readers that drives multibillion-dollar romance book publishing.

Kate McKinnon’s gleefully reckless physicist is brainy comic mayhem, unlike any female character we’ve seen before. And there are more reasons to cheer.

I wrote a thing for PBS’s Independent Lens blog. Here’s the beginning… [This post is not behind the paywall.]

The delicately balanced foolishness of Now You See Me gives way to impossibly supernatural magic tricks aimed at thwarting the least menacing villain ever.

Sends up one-upwomanship, egotistical self-help, and reflexive hedonism with zing. It is a sheer triumph to see two older women being really funny onscreen.

Hugely watchable cautionary tale of Shakespearean proportions about 21st-century politics. Beautifully, nastily perfect in its ironies and twists.

Charming. A cleverly constructed and amusingly rendered fantasy adventure that sings with a sweet, wistful devotion to home, family, and friendship.