
Where Are the Women? Embrace of the Serpent
Girls and women appear in this movie only in the background, only in a few scenes, and only in ways that have no bearing whatsoever on the plot or themes.

Girls and women appear in this movie only in the background, only in a few scenes, and only in ways that have no bearing whatsoever on the plot or themes.

More intriguing in its ambitions than in it successes, which are limited, and oddly keeps its distance from the very people it wants to enlighten us about.

No girls or women appear in this movie at all. There is a photo of a woman, a wife far away in another land, but that’s it.

A gorgeous, cracking adventure with a smart ring of authenticity, full of pulpy twists and perils, and with a sweetly naive but gruffly charming young hero.

A story all about how women are mere elements in the grand works of art that are men’s lives, often as little more than decorative objects.

Overwrought nine-tenth-life crisis drama; not even a great cast can create sympathy for the artistic and existential turning points on arty display.

The U.K. cinema chain has gotten behind Leonardo DiCaprio to win the Oscar on Sunday.

A female protagonist lashes out against a restrictive culture that denies her personhood and her agency simply because she is female. So much awesome.

Smart, perceptive, keenly observant, heartbreaking: how the world crushes girls and turns lively people into automatons merely because they are female.

To call it disjointed is an understatement: Exposed is unintelligible. It feels like two completely different movies inelegantly Frankensteined together.