
Brightburn movie review: villainy, celebrated
Superman, but he’s evil. That’s the whole movie. This is a depiction of violent entitled sociopathy that may think it’s critiquing toxic masculinity yet is indistinguishable from a celebration of it.

Superman, but he’s evil. That’s the whole movie. This is a depiction of violent entitled sociopathy that may think it’s critiquing toxic masculinity yet is indistinguishable from a celebration of it.

The series’ saving grace is that, with humor and heart so beautifully wise and stunningly rendered (CGI pun intended), even as returns diminish, a new chapter is still warm and smartly entertaining.

A round-the-world culinary adventure that’s like Secret Cinema, except about food rather than movies, with a Jules Verne vibe and a nostalgia for a time when the world was bigger than it is now.

Tonia Mishiali writes (with Anna Fotiadou) and directs Greek drama Pause, starring Stella Fyrogeni; more… [This post is for Patreon patrons only for the first month.]

Tessa Thompson costars in sci-fi action comedy Men in Black: International; and there’s very little else… [This post is for Patreon patrons only for the first month.]
LOL no. Science-fiction writer Judith Tarr breaks down the bullshit on Twitter.
Listen online or on actual over-the-airwaves radio. Imagine that.
The year: 1528 Solar Standard, New Era [4574 old Earth calendar] “Welcome to the Bloomsbury Historical Re-creation Society’s immersive experience: 21st Century Shopping Mall!”
Entitled well-paid celeb teenager to prank desperate job-seekers for your entertainment. We. Are. So. Fucked.

Performs a complete charmectomy on its usually hugely charismatic stars, leaves them to flounder about with a bizarrely inept script, and actually seems to be trolling us with its pseudo feminism.