
Dope movie review: not your typical high-school comedy
Not without its problems, but mostly a smart, engaging, bigotry-busting escapade with a hugely appealing young cast and an unflaggingly cheerful optimism.

Not without its problems, but mostly a smart, engaging, bigotry-busting escapade with a hugely appealing young cast and an unflaggingly cheerful optimism.

A wacky fantasy lark, half screwball comedy, half Looney Tunes. Chinese audiences have thrown half a billion dollars at it. Prepare for Hollywood imitators.

A soul-crushing experience: lazy, cheap, lurid, and stupid. Painfully unfunny and pointless. Sacha Baron Cohen now panders to those he once rightly mocked.

Full of the Coen Brothers’ usual exuberant joie de cinema, and a helluva lot of fun, but too scattershot to ever settle on saying the things it has to say.

Behold Bill Murray as the white savior barreling into a foreign land and teaching the ignorant natives how to be better people. Obnoxious and tone deaf.

A Mr. Collins of a movie: fatuous, self-important, and nowhere near as smart or as elegant as it thinks it is. There isn’t a lick of wit to be found here.

Hollywood does not know how to make a movie about women that isn’t about the pursuit of romance. Even when women say they don’t want romance, they’re lying.

A tad dated and scattershot, but the messy package is inventively absurd… and unlike many Hollywood comedies, able to carry that absurdity to a silly end.

Instantly forgettable but inoffensive fluff… you know, for kids. And “inoffensive” is better than can be said for many movies aimed at children.

Michael Moore doesn’t hate America. But he does wonder how other nations are doing so many things better than the supposed greatest country in the world.