Where to Invade Next documentary review: finding the American dream everywhere but America
Michael Moore doesn’t hate America. But he does wonder how other nations are doing so many things better than the supposed greatest country in the world.
comedy
Deadpool movie review: origin story with a potty mouth
Callous, crass, unpleasantly smug. Supposes it’s being edgy because its protagonist swears a lot, but it’s like a child saying bad words just to be naughty.
Oscar Nominated Live-Action Shorts (88th Academy Awards) review
“Day One” is a wartime drama the likes of which we have not seen before, with a marvelous Layla Alizada as an interpreter with U.S. forces in Afghanistan.
Ride Along 2 movie review: don’t get in this car
Dubious police procedures, by-the-numbers buddy-cop-comedy shenanigans, and characters who hate one another, none of which is as fun as it sounds.
Monkey Kingdom documentary review: growing up in the jungle
Simplistic, but a charming and child-friendly introduction to our cousins in the wild that no zoo could provide, with a monkey heroine whom kids will cheer.
Daddy’s Home movie review: floundering fathers
Clichés about good dads and bad boys go beyond the cheap and obvious and into the insulting. There’s nothing unexpected or even mildly amusing here.
Snoopy and Charlie Brown: The Peanuts Movie (aka The Peanuts Movie) movie review: good grief
Of all the potential Charlie Brown movies Hollywood might have made, this might be the Charlie Brown-iest. That’s not necessarily a good thing.
Sisters movie review: women are messed-up people too
The just-right mix of wistfulness, snark, and painful personal growth makes this nonstop hilarious, with humor that gets women in a way movies rarely do.
Scouts Guide to the Zombie Apocalypse movie review: be prepared… to throw it in the campfire
One of the most sexist movies I’ve ever seen. Male juvenile fantasy at its most tired, its most obvious, its most banal, and its most infuriating.
Tales of Halloween movie review: buckets of blood, and lots of laughs
The best of the bunch in this anthology of vaguely interconnected shorts are the outrageous and uproarious genre pastiches “Friday the 31st” and “Bad Seed.”
