Tom Jones (review)

Tom Jones is one of those movies I appreciate more than I enjoy. Though based on Henry Fielding’s classic 18th-century novel, it seems at times little more than an excuse to revel in the licentiousness of the burgeoning free-love atmosphere of the 1960s.

Gigi (review)

Gigi was kinda the Pretty Woman of the 50s. I hate to say that, because I hate that stupid movie (a fairy tale about a hooker!), and Gigi is simply a charming delight. But this Lerner and Loewe musical does bear the tiniest superficial resemblance to that other flick, though it ends up offering a much more positive moral.

You Can’t Take It with You (review)

You Can’t Take It with You, an adaptation of the play by George S. Kaufman and Moss Hart, is Frank Capra’s loving and wacky paean to nonconformity. The comedy is over the top but the moral of the story is a serious one: Find in yourself the courage to do with your life what you really want to do.

Mulan (1998) and Hercules (1997) (review)

Damn! Mulan is thisclose to being not just a brilliant animated film, but a brilliant film, period. It has a dramatic story, a heroine who kicks butt, a villain who kicks butt, a square-jawed hero with a not-so-nice side, and some of the most sweepingly gorgeous visuals since Beauty and the Beast. But Mulan is dragged down by insipid songs that feel tacked on and silly, inappropriate sidekicks and secondary characters.

Tomorrow Never Dies (review)

License to Shill Explosions. Babes. Gadgets. Exotic locales. Nasty bad guys with German accents. A lovely, tuxedo-clad good guy with an English accent. Tomorrow Never Dies (starring Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, and Teri Hatcher) is a Bond movie. Nuff said. What it does, it does well. But it’s cinematic junk food that you … more…