
Dope movie review: not your typical high-school comedy
Not without its problems, but mostly a smart, engaging, bigotry-busting escapade with a hugely appealing young cast and an unflaggingly cheerful optimism.

Not without its problems, but mostly a smart, engaging, bigotry-busting escapade with a hugely appealing young cast and an unflaggingly cheerful optimism.

Brutally chilling in the banality of its examination of justice and forgiveness. A deeply unsettling film that challenges the empathy it carefully constructs.

Piercing insights into the minds of murderers, and then astonishing generosity from those left behind. Deeply despairing, then restores a bit of hope.

To call it disjointed is an understatement: Exposed is unintelligible. It feels like two completely different movies inelegantly Frankensteined together.

How did a genre-smashing director make a heist thriller so generic, with characters too unlikable to be engaging but not twisted enough to be intriguing?

The 2009 Oscar-winning Best Foreign Language Film has been given a listless Hollywood makeover, one that wastes Chiwetel Ejiofor’s effortless sincerity.

A real-life action thriller, a terrifying companion piece to Sicario. Do we want the wild West in the 21st century? Because that’s what we’ve got.

A horror flick about the blundering of humanity on a scale so enormous that global warming is only a small part of it. But its monster is not unconquerable.

Callous, crass, unpleasantly smug. Supposes it’s being edgy because its protagonist swears a lot, but it’s like a child saying bad words just to be naughty.

U.S. universities have plenty of financial incentives to minimize rape on campus, as this enraging film demonstrates. But there are women fighting back…