
Theeb movie review: a tiny slice of the Great War, through a child’s eyes
A gorgeous, cracking adventure with a smart ring of authenticity, full of pulpy twists and perils, and with a sweetly naive but gruffly charming young hero.

A gorgeous, cracking adventure with a smart ring of authenticity, full of pulpy twists and perils, and with a sweetly naive but gruffly charming young hero.

Overwrought nine-tenth-life crisis drama; not even a great cast can create sympathy for the artistic and existential turning points on arty display.

Smart, perceptive, keenly observant, heartbreaking: how the world crushes girls and turns lively people into automatons merely because they are female.

To call it disjointed is an understatement: Exposed is unintelligible. It feels like two completely different movies inelegantly Frankensteined together.

An astonishing, even perception-altering experience that represents a startling use of animation to tell a story that no live-action film could tell.

Did you think you had heard all the unbearable stories about the Holocaust? You hadn’t. Hard to watch, but an essential installment of Holocaust cinema.

Not an inspirational football movie but the highlights reel from one, with a golden boy who is his own manic pixie dreamboat. The worst sort of hagiography.

A film taken with the singular American delusion that Jesus loves football… though it also throws in a new delusion: Jesus hates the U.S. Constitution.

May be a familiar David-versus-Goliath tale, but it is also an inspiring and hugely emotional experience, due in large part to the powerful performances.

See this for Casey Affleck: he exudes a classic cinematic masculinity here. Alas, the rest of the film is old-fashioned in ways that are downright stodgy.