
Dawn of the Planet of the Apes movie review: people get ready
A magnificent science fiction drama, and a beautiful one. Wonderfully radical for the simple fact that it is ruled by principled ideas.

A magnificent science fiction drama, and a beautiful one. Wonderfully radical for the simple fact that it is ruled by principled ideas.

Sporadically hilariously awful, but mostly cheap, amateurish and so distasteful it borders on the vile. Poor Nicolas Cage and his foundering career.

An audacious coming-of-age tale unique in the history of cinema; deeply moving and beautifully authentic.

Hauntingly grim, full of appalling ironies and awful truths. This is most definitely not the feel-good movie of the summer.

A riveting BBC political thriller offering one of the most trenchant explorations yet of the sick symbiosis between big government and big business.

A meditative contemplation of the boredom of overprivileged, under-aspiring, shallow, spoiled kids. As you’ve been dying to see.

A too-literal adaptation of Philip K. Dick’s paranoid science fiction fantasy lacks the atmosphere and human feeling it demands to work on any level.

An achingly personal tale of grief and despair amidst the ironies of the modern world, where almost medieval levels of misery live alongside 21st-century horrors.

Confused suspense drama starts out gripping and descends into a moral muddle that a very good performance by Michael C. Hall cannot quite overcome.

Jake Gyllenhaal meets his doppelgänger — or maybe it’s also him — and they argue over whether they are secretly fucking each other’s female property.