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A tart, sharp, life-affirming dramedy, one that is slightly more edgy and far less predictable than it probably has any right to be. Celia Imrie and Imelda Staunton are magnificent.
It’s too predictable and too disingenuous about the realities of what it means to be an “older” woman. But Sharon Stone is totally charming.
Absolutely delightful and utterly original, with its lovingly crafted stop-motion animation bursting with sweetness but also with a winking mockery. I have just a few caveats…
An ostensible fairy tale of the creative life in London that tries too hard to be eccentric, while also trying too hard to be grounded and realistic. This is one of those idiosyncrasies that you really can’t have both ways.
Part hamfisted critique of Big Ag, part strained romantic comedy, and part insipid musical that’s not much like the Bollywood tribute it’s meant to be. An accidental parody of itself.
A lovely, gentle geek adventure that appreciates the importance of fandom as a source of inspiration and comfort, with a subtle and resolutely unsentimental performance by Dakota Fanning as an autistic fan.
A bleakly funny, genteelly twisted gloss on the clichés of temperamental creative genius, via the relationship between an artist and his subject, one that questions the sometimes high personal price of great art.
Ben Stiller is having another midlife crisis, and only his sincere, heartfelt performance saves this pile of unchecked white male privilege from self-parody. But only just.
Absolutely stupendous: smart, funny, poignant, a true original. A thrilling odyssey of ideas that takes its sci-fi concept to the very edges of extrapolation.
A bittersweet, deeply human tale, one with a documentary sense of discovery to its setting: a little seen, highly insular ultraorthodox Jewish community.
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