Quantcast
your £$ support needed

part of a small rebellion | by maryann johanson

Brad’s Status movie review: when a white man can’t bear not having all the privilege

Brad's Status yellow light

MaryAnn’s quick take…
Ben Stiller is having another midlife crisis, and only his sincere, heartfelt performance saves this pile of unchecked white male privilege from self-parody. But only just.tweet
I’m “biast” (pro): nothing
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
women’s participation in this film
male director, male screenwriter, male protagonist
(learn more about this)

Ben Stiller is having a midlife crisis. Again. (He just did the 40s meltdown thing in 2015’s While We’re Young, which was a lot zingier than this.) This time, his Brad Sloane is having so many feels about how his very nice life isn’t superduper 0.01-percenter amazing, like that of the guys he went to college with. His melancholy is prompted by a trip to Boston with his musical-genius son, Troy (Austin Abrams: Paper Towns), to scout schools, including Harvard; there seems to be little doubt that the kid will be accepted at this most prestigious institution.

Brad has work that he seems to love — he runs a nonprofit — his kid is awesome, and his wife, Melanie (Jenna Fischer: Walk Hard: The Dewey Cox Story), is lovely. (The movie sidelines her as quickly as possible so that Brad can mope without danger of his self-absorption being punctured.) But he’s not powerful like his old pals the Washington Insider (Michael Sheen: Home Again), the Hedge Fund Manager (Luke Wilson: Concussion), the Hollywood Director (Mike White [The D Train], who also writes and directs), and the Tech Billionaire (Jemaine Clement: The Lego Batman Movie). Isn’t that terrible for Brad? He literally laments that he “doesn’t have an empire” like those other guys, and hence he is somehow a failure.

“Honey, if it wrong that I think our life is awful even though we have a six-burner stove in our lovely home? Cuz I keep thinking this makes me kinda messed up, but not in a way that makes me look cool and melancholy.”

“Honey, if it wrong that I think our life is awful even though we have a six-burner stove in our lovely home? Cuz I keep thinking this makes me kinda messed up, but not in a way that makes me look cool and melancholy.”

I kept thinking Brad’s Status was building into a satire, that there was a joke somewhere in here and that a punchline was in the offing. But nope. The closest the film comes is when the 21-year-old college student, a nonwhite woman (Shazi Raja), whom Brad has been unloading his breakdown upon informs him, with an extreme gentleness that he does not deserve, that he is wrapped up in “white privilege, male privilege, [and] first-world problems”… and then the film merrily continues on its way being about those very things.

“When did we fall out of love with each other?” Brad laments about himself and the world, and meanwhile somewhere offscreen the world is like, “Dude, what more can I possibly do for you to show you that you are my everything?!” The only thing that saves all of it from self-parody is Stiller’s honest and heartfelt performance. But how much more coddling of well-off white men must the world do?


Click here for my ranking of this and 2017’s other releases.



yellow light 2.5 stars

Please support truly independent film criticism
as generously as you can.
support my work at PayPal support my work at Patreon support my work at Ko-Fi support my work at Liberapay More details...

Brad’s Status (2017) | directed by Mike White
US/Can release: Sep 15 2017
UK/Ire release: Jan 05 2018

MPAA: rated R for language
BBFC: rated 15 (strong language)

viewed at a private screening with an audience of critics

official site | IMDb | trailer
more reviews: Movie Review Query Engine | Rotten Tomatoes

If you’re tempted to post a comment that resembles anything on the film review comment bingo card, please reconsider.

Pin It on Pinterest