
Sew Torn movie review: patchwork pastiche
The quirks of this slightly fantastical black-comedy crime thriller are many, varied, and messily disjointed. But there’s a delicious oddness to its unpredictability and its spin on familiar tropes.

The quirks of this slightly fantastical black-comedy crime thriller are many, varied, and messily disjointed. But there’s a delicious oddness to its unpredictability and its spin on familiar tropes.

Hollywood has lost the ability to buckle swash. Guy Ritchie, shamelessly stealing from Indiana Jones, gives us a charmless treasure hunt that feels honed by corporate focus groups and cinematic SEO.

The dorm-room philosophy of the 25-year-old series is still pondering how wild it is that we all die, how fragile our meatbag bodies are. Now with gory dismemberments and squishy impalements in IMAX!

Wildly primal, big and bold, fueled by pain and rage, by community and family, throbbing with love and sex and joy, infused with magic. A sumptuously textured, unmissable howl of a passion project.

Colorful but flattened and flimsy, which really grates next to how abundantly, uniquely original the first two movies are. Suffers greatly from the lack of their deft whimsy. It’s, well, bearly there.

Replaces the novel’s rage with gentle comedy, biting its tongue and undercutting its protagonist. Still, mundane truths about women’s realities that rarely get public airings are on welcome display.

Unfunny action comedy can’t even pull off sloppy Yuletide kitsch. The anti-chemistry among its likable stars is “bested” only by the ugly CGI. Have some light festive violence — you know, for kids!

Sure, the humor may be bitter, the horror may be audacious, and the overriding genre may be “anti-romance.” But this hugely original, grimly delightful howl of feminine rage is actually kinda sweet.

Immerse yourself in pure unalloyed joy with a sweet, deceptively simple carbon-silicon platonic romance. Even the poignant bittersweetness of this emotional roller coaster is affirming and uplifting.

A mad monstrosity of a movie: absurdist, enigmatic, perverse. Lanthimos’s typical grotesque humor is on full display. Yay for a film that actually attempts to capture how insane the world is today?