
Gods of Egypt movie review: those whom the gods wish to punish, they force to watch this movie
Hilariously, casting white Westerners as mortals and deities of the ancient Nile is the least offensive thing about this crime against goofball cinema.

Hilariously, casting white Westerners as mortals and deities of the ancient Nile is the least offensive thing about this crime against goofball cinema.

Believes six impossible things — like implausible character motivations, or big emotions — because they’re in the script, without bothering to earn them.

Its self-conscious eccentricity is so banal that it feels like a parody of “the American indie.” Behold magic rocks and a Significant fortune cookie!

What the heck is this? Some sort of meninist political statement attempting to vindicate male anger? In a kids’ movie? Maybe men shouldn’t make movies…

A fantasy about Miles Davis’s life and music; loose, free-flowing, a kind of cinematic jazz. An astonishingly assured directorial debut from Don Cheadle.

Hilarious satire about rebooting religion with a goddess in charge this time. A little bit Douglas Adams, a little bit Terry Gilliam, a whole lot irreverent.

Goes right up to the bleeding edge of cinema to tell a story that is strapping yet simple, and hugely appealing. Disney found a good reason to redo an old film.

It’s a prequel and a sequel! It’s got girl powerrr and lady-hating! It’s a mashup of Lord of the Rings and Frozen! It’s all these things, and less.

Marvelous. A bouncy comedy mystery adventure parable in a fantasy world meticulously and cleverly conceived and gorgeously realized. I adore this movie.

Initially intriguing detective tale of ancient Rome hops genres into fantasy, with a strange manic-preacher-dream-boy seduction of its pragmatic protagonist.