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This is what comic-book movies look like when they’re not blown up into $200 million monstrosities: friendly and eldritch and kinda cosy even in the middle of outrageous escapades. (new DVD US)
Limp and lifeless, this overlong and undercooked would-be blockbuster cannot focus on either the hard-edged realities or the magical mysteries it toys with.
“Good” for nothing but the electronic babysitting of toddlers and fomenting consumer desire in impressionable children for the new line of made-in-China Dusty Crophopper extruded plastic. (new DVD/VOD US/Can)
Spectacularly mediocre fantasy junk food, perfectly inoffensive for youngsters but too featherweight for adult genre fans.
I am haunted by the crazed desperation in Jayma Mays’s eyes. She may have been blinking out a Morse-code SOS, but I can’t be sure…
A valentine to early filmmaking, this silent-movie pastiche is gorgeous, lush, and bursting with passion. It presents a familiar fairy tale with a wondrous air of freshness and newfound intimacy.
In an almost terrifying reversal from the first film, this is crude, racist, and sexist, in entirely well-worn ways. (But the Minions are still funny.)
Monsters, Inc. was in no way calling for a sequel, and here it is. (new DVD/VOD US/Can)
I died laughing… and I’ve found a new respect for a Hollywood posse whose work I mostly haven’t enjoyed before.
Ironically, nothing feels organic here, and certainly nothing feels magical…
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