
Maquia: When the Promised Flower Blooms movie review: the tragedy of the immortal
Epic yet intimate, this is a visually gorgeous and emotionally lush fantasy drama about love and hope set in a violent but beautifully realized invented world.

Epic yet intimate, this is a visually gorgeous and emotionally lush fantasy drama about love and hope set in a violent but beautifully realized invented world.

The sinister ambiance has a terrible grace, but its raw and honest portrait of grief and guilt is ultimately diminished by the supernatural horror that is also at play.

A movie unlike any we’ve seen before, one deeply, intimately sympathetic to modern motherhood — to modern womanhood. Brilliantly wise and funny, and profoundly moving.

An essential documentary look at yet another example of historical feminism that should never have been forgotten: the first American in space might have and probably should have been a woman.

A wonderfully old-fashioned tearjerker, with a thoroughly delightful cast, where cosy quaint Englishness is leavened by a harsh reality of World War II that pop culture has ignored.

This is scorched-earth cinema that challenges us to find moments of grace and triumph among misery, cruelty, and emotional frugality. Maxine Peake is absolutely incendiary.

An incredibly inspiring story about two young women who come back from dehumanizing experiences to advocate for change. A film of great grace, dignity, beauty, and power.

It’s too predictable and too disingenuous about the realities of what it means to be an “older” woman. But Sharon Stone is totally charming.

A movie as thrillingly weird as its protagonist. We are totally enrapt by the wonder and the terror of her imagination, and the power of it to create joy and solace.

A fiercely feminist and proudly revisionist historical drama that offers a powerful and much-needed rebuke to modern Christianity. Enrapturingly beautiful and intensely emotional.