Emma. movie review: this queen bee has a bitter sting
A sly, penetrating zing and a frisson of Insta-influencer horror — of the oppression of performative perfection against a marzipan backdrop — renders Austen’s fluff and nonsense deadly serious.
girls/women
Olympic Dreams movie review: coming in from the emotional cold
Guerilla filmmaking is at its most charming in this melancholy romance set — and improvised and shot on the fly — in the 2018 Pyeongchang Olympic Village. Delightful and delicately observed.
Oscar Nominated Documentary Shorts 2020 (92nd Academy Awards) review
My pick: “Learning to Skateboard in a Warzone (If You’re a Girl),” a tremendous ode to the power of sports to boost girls’ self-esteem and set them free from the shackles of the limited expectations.
Oscar Nominated Live Action Shorts 2020 (92nd Academy Awards) review
My pick: The gorgeous “Brotherhood” opens up reductive notions of Middle Eastern cultures in the Western imagination while telling a moving story of family and forgiveness that is quite universal.
Oscar Nominated Animated Shorts 2020 (92nd Academy Awards) review
My pick: I haven’t seen a short film this year that is as full of pure joy as “Hair Love.” I’d like to think that its sweet positivity will be the thing that, at this awful moment, gives it an edge.
Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn movie review: fantabulous
Behold ladyrage given full candy-colored, sparkle-sprinkled voice in an ironically comical spectacle: Haha, isn’t this delightfully absurd? Or is it? This is kidding-not-kidding on celluloid.
Little Women (2019) movie review: looking askance, with love, at a classic
A very welcome feminist interpretation of Alcott’s beloved novel, layered in sly, winking awareness of Hollywood clichés and the cultural pressures on women. Alive and electric, an absolute treasure.
What She Said: The Art of Pauline Kael documentary review: art and trash in measured quantities
A terrific portrait of the legendary critic, as objective as she was proudly subjective. Pulls no punches on her complicated life and work but rightly hails how she revolutionized thinking about film.
The Cave and For Sama documentaries review: life inside a war zone
Two intimate documentaries from inside the Syrian civil war, diaries of women who stayed to fight for their nation and help their people, pay tribute to human perseverance and chide Western apathy.
The Good Liar movie review: mangled web
We expect a film about a con man to con us, but it’s not fun here: it’s absurd. This limp thriller might fancy itself smart, sharp, twisty, and probably feminist, but it just made me groan out loud.
