Cat Person movie review: her too
The cringe of modern relationships stinks up this antiromance. Its bald truths, all but ignored in pop culture, about how women navigate romantic and sexual relationships with men, demand to be heard.
girls/women
My Animal movie review: out of the wilderness (and into a bigger one)
A mysterious, mournful film about proscribed teenaged-girlhood and feral female sexuality. There’s nothing entirely original here, but what it has to say, it says with enormous confidence and panache.
Scrapper movie review: girlhood interrupted
A singular portrait of a girl full of verve and personality. An astonishing feature debut from Charlotte Regan, with a film as cheeky and imaginative, as pleasantly messy and chaotic, as its heroine.
What’s Love Got to Do with It? movie review: the boy next door, and a world away
Lily James and Shazad Latif? Delightful, even when they’re not together and sparking. No surprise where they’re going, but this amiable rom-com gets them there with genuine smarts and real sentiment.
Rare Objects movie review: broken things, on the mend
It’s overstuffed and often jarring. But it’s also honest and unassuming, never insipid or sentimental, with a rough power, a generous spirit, and performances that are warm, wise, and perceptive.
Full Time (À plein temps) movie review: mother of invention
This relentless, heart-in-your-throat, ticking-clock thriller about precarious single-motherhood could not be more timely or more intimate. As real, and as recognizably stressful, as the genre gets.
Blue Jean movie review: cowardice and bravery as matters of survival
A powerful, necessary film, deeply humane and sympathetic, ugly-beautiful in its panic, full of dread and bad behavior. We feel every iota of Jean’s anxiety at closeted life in the homophobic 1980s.
Harry & Meghan: Vol I television review: royal rumble counterpunch
There is little here we did not already know, but this is nevertheless a fascinating counterpoint to royal propaganda. Kudos to Harry’s audacity at being unwilling to perpetuate a noxious paradigm.
Orphan: First Kill movie review: not-so-little girl lost
The rare sequel better than the original, but that’s not saying much. Takes too long to get to its surprises, its adult star is unconvincing as a child, and its minimal cleverness feels like a cheat.
The Princess documentary review: look back in anger
A portrait of Diana’s depiction in the press that is incendiary, incisive, and transfixing. A litany of horror, in retrospect, and an incredibly valuable look at how public stories are shaped by media.
