
The Last Tree movie review: boy interrupted
An astonishingly beautiful coming-of-age story of startling specificity and intense intimacy, yet universal in its compassionate depiction of a child’s perspective dawning on mature self-awareness.

An astonishingly beautiful coming-of-age story of startling specificity and intense intimacy, yet universal in its compassionate depiction of a child’s perspective dawning on mature self-awareness.

A beautiful-ugly film, a work of domestic gothic grotesquerie, of women’s suffocation and sacrifice, pain and isolation. Elisabeth Moss’s performance is next-level glorious in its wackadoo intensity.

Brutal, necessary watch for all who want to understand why America operates with impunity re its horrendous treatment of Black people. Incisive and shocking, moreso now than when it debuted in 2016.

Striking sci-fi mood piece, all eeriness and ookiness, wonder and dread. Explicitly Twilight Zone–esque, summoning a midcentury-America innocence in order to shatter its narrowness (and our own).

Was Biosphere 2 scientific adventure or eco-entertainment? This is a gripping portrait of the billionaire’s folly/performance-art project, a hippie SF soap opera with unsettling resonance for today.

The hypocrisy of the world’s expectations of girls gets a gently sardonic knock via an audaciously confident young woman battling to be herself. This is a lovely, goofy movie, easygoing and chaotic.

Attention, social justice warriors. French economist Thomas Piketty’s howl-of-rage academic treatise is now a hugely engaging documentary, eye-opening and brutally entertaining. Man the barricades!

A laugh-until-you-cry dramedy burlesque, brilliantly structured and horrifically compelling, about the endless grift that passes for an economy in America. Hugh Jackman is at the peak of his powers.

Coming-of-age melodrama about misfit girls is at first passingly diverting, but it whips up mystery and suspense where it shouldn’t be, diminishing and minimizing an already neglected kind of story.

Revisionist tale of the Australian folk hero rages against the dark forces that shaped him: emotional and economic neglect and abuse forged in patriarchy and colonialism. Electrifyingly punk and vulgar.