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Enlightening, enraging history of all the ways in which the United States has tried to bar citizens from voting, plus a primer on what Americans can do right now to ensure that our voices are heard.
A winsome Tilda Cobham-Hervey leads a rote rags-to-riches tale, though its rampant sexism is a villain women will recognize. Needs to be seen, even if it’s not quite the tribute Helen Reddy deserves.
Acceptably inoffensive, if less than wholly engaging. At least Liu’s strong, stately Mulan is a wonderful role model for girls who aren’t much interested in conformity and adhering to expectations.
Hawke is warm and empathetic, but the film’s artificiality is at odds with a celebration of the visionary’s life and work, and finally offputting. I wish this were either more earnest or more bonkers.
Pointless adaptation of the beloved children’s novel soaked in a gothic spookiness that seems to deliberately misunderstand the story. Neither literal enough nor magical enough. My heart was unmoved.
Rosamund Pike is perfection in this intellectual romance, an unsentimental portrait of a woman striving to be appreciated for her mind at a time even more anti-woman than today. Feminist and flinty.
A simple story about friendship. A revisionist Western reworking fables of masculinity and frontiers. A softly savage deconstruction of the American dream, of capitalism itself. An astonishing movie.
Essential portrait of the US Congressman and civil-rights activist, for its lessons in the power of passive resistance to injustice, and its underscoring of how America has regressed in recent years.
How very kind of Tom Hanks to lend his gravitas and inescapable likability to a bunch of WWII naval reenactors on their weekend-getaway “crossing the north Atlantic in 1942 dodging U-boats” campaign.
Maxine Peake is stupendous in this deliciously audacious period horror, ambitious in emotional scope and with monsters who feel unexpectedly modern: men who wield religion as a tool of oppression.
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