
Brightburn movie review: villainy, celebrated
Superman, but he’s evil. That’s the whole movie. This is a depiction of violent entitled sociopathy that may think it’s critiquing toxic masculinity yet is indistinguishable from a celebration of it.

Superman, but he’s evil. That’s the whole movie. This is a depiction of violent entitled sociopathy that may think it’s critiquing toxic masculinity yet is indistinguishable from a celebration of it.

A bargain-bin cockadoodie pseudo-Misery, a disgraceful waste of the brilliant Octavia Spencer. Has no interest in women’s pain and trauma even as it appropriates it for entertainment purposes.

Not a knockoff of that other quiet horror flick, though this familiar monster movie works hard to convince otherwise. But the terrific cast makes it worth a look, at least for Netflix subscribers.

Complete nonsense, and not in a good way, with an enraging side dish of male undercutting of women’s friendships. For a movie to be both this ludicrous and this predictable is quite an achievement.

Bounces from one preposterous setpiece to another across an inexcusably flavorless magical, monstrous world, and borderline incoherent as it races through the plots of half a dozen different films.

A lazy adaptation of the Stephen King novel, manipulatively cheap when it isn’t provoking eye-rolls at its genre banalities. Why can’t someone find the right role for the charismatic Jason Clarke?

I feared a portrait of human dumpster fire Steve Bannon would humanize him, but he’s beyond that. Can we use this inside look at his political and cultural manipulations to stop his fomenting of hate?

An anxious moan, a looming disquiet of a reckoning coming for America. This is horror as weird, funny, damning, and more disconcerting the more you think about it, finding fear right in front of us.

An iconic story from the classic era of the British cult TV favorite comes to US big screens for one night only… and the cleaned-up FX as well as its deceptively simple tale hold up rather well.

My pick: Vincent Lambe’s controversial and profoundly harrowing “Detainment,” a dramatization of the real-life police interrogations of the 10-year-old boys who killed a toddler in England in 1993.