Frozen review: I have chills
The showstopping central musical number is a glorious anthem to female power and ability… and so, in fact, is the whole wonderful movie. Disney is finally getting it. (new DVD/VOD US/Can)
Oscar best pictures
Amour (review)
There have been other stories about longstanding love and the devotion it inspires, but none with quite the wallop of this one…
Undefeated (review)
Extraordinary in how it turns upside-down the typical feel-good, triumph-of-the-underdogs tropes of the subgenre…
Argo (London Film Festival review)
I was literally in tears for parts of Argo, a purely physical reaction, not an emotional one, to deal with the tension. The only other option would have been to moan out loud, the film is almost that unbearably nerve-wracking.
Brave (review)
Finally! Pixar gives us a fully fledged, well-rounded, beautifully developed female protagonist, with a complex, provocative personal journey that is hers alone. A film of her own!
Searching for Sugar Man documentary review: musical mystery
I can’t remember the last film that rocked my world like this extraordinary documentary does. A magnificent detective story, bursting with a thrilling sense of mystery and of artistic discovery.
Titanic 3D movie review: a human story
I had just begun my career as a film critic when Titanic was first released in late 1997. So I missed it, back then, what it was about James Cameron’s magnificent movie that was (and still is) so extraordinary.
The Artist (review)
Who does this? Who makes a black-and-white movie in the 21st century? Who makes a silent film in the 21st century? The Artist: Not in 3D, not in IMAX, not even in widescreen!
Happy Feet Two (review)
This is it: the collectivist kiddie flick that makes it look like fun to work together for the betterment of all. Disgusting!
Rango (review)
How can it be that a kiddie movie is wiser and funnier and more relevant than the Coens Brothers’ True Grit? This is, in fact, what a Coens’ animated flick might look like and sound like, if they got an assist from Terry Giliam: this is a deeply weird and deeply demented movie, and thrillingly so.
